Trigun: The Movie

This review contains spoilers for Trigun: Badlands Rumble.

 

Back in the day, if you wanted fansubs, you had to look up providers in a big database which would show you which fans had what series and whether they’d ship internationally. You’d then send off your money to somewhere in America and about a month later, no more than eight VHS tapes would arrive in your mailbox.

That’s how it was and we liked it that way, dammit. It’s also how I discovered Trigun.

I’d heard the hype first (that’s how we knew what to order), but I was still surprised how much I liked it. I’m not usually a fan of the main character(s) in a series, particularly if they’re the good guys. But Vash was fun and whimsical with a dark side. He’s probably one of the more complex characters in anime and it’s difficult to get a grip on his personality.

Fast-forward ten years; I’ve moved to Japan and am now sitting in a charmingly shabby third-floor cinema in Shinjuku, waiting for the new Trigun: Badlands Rumble movie to start. Funny how life works.

The movie starts with Vash getting between a legendary bank robber named Gasback and his cronies, because he can’t stand any kind of violence.

Twenty years later, rumours suggest Gasback plans to target Makka City and so the mayor assembles the most unsavoury characters he can find to protect it. Milly Thompson and Meryl Strife are in town in their professional capacity as insurance auditors, and try to drive Vash out of the city, but he only wants to flirt with at Amelia.

When Gasback finally arrives, however, Wolfwood is amongst his entourage and it’s revealed Amelia’s plans to kill Gasback are based on more than just a desire to collect the bounty on his head.

[Note: Gasback, Amelia and Makka are my own romanisations. They may well prove to be wrong when official translations are released.]

They’ve kept the original seiyuu from the anime and, so it seems in some scenes, some of the ineptness of the animation between the key cels. That’s not really a criticism. Computer modelling is used extensively, but not in a way that made me think it didn’t fit with the rest of the anime, as I’ve seen in the past. The backgrounds are well-drawn and they often used interesting angles to tell the story. The character designs for even incidental characters are bright and varied.

Despite all this, I didn’t like it in the same way I did the anime series, despite the movie staying within the anime timeline. The key problem is the relationship between Amelia and Vash. They meet when he rescues her; he falls in love immediately and proceeds to follow her everywhere. He follows her from her hotel room into the streets and when she kicks him away, he nuzzles her legs. It’s too much.

The best scene is without Vash, when Wolfwood (wearing Vash’s glasses) and Amelia take the fight to Gasback. It just seems that Vash is always there to undermine what would otherwise be a strong character.

Is this movie at fault, or is it my memory…?

 

Cast:
Vash The Stampede: Onosaka Masaya
Nicholas D Wolfwood: Hayami Sho
Meryl Stryfe: Tsuru Hitomi
Milly Thompson: Yukino Satsuki
Amelia: Sakamoto Maaya
Gasback: Isobe Tsutomu

 

Official site

 

Cinemas:
Tokyo: Cinema Sunshine (Ikebukuro) and Shinjuku Musashino-Kan (Shinjuku).
For cinemas showing Trigun outside Tokyo, please click here

 

I feel I'm selling out just by posting this picture.

Today, I headed to Akihabara to check out the recently opened Gundam Cafe. While walking round the streets near Denki-Gai, I noticed a huge Gundam head and big television screens showing SD Gundam. Since I like flashing lights, I crossed the road for a closer look.

It turned out to be a promo event for SD Gundam Capsule Fighter Online. The strange thing was, that once people had taken photos of the giant head (from the 1/1 scale Odaiba Gundam) and the women dressed as pilots, they wandered off again. I, however, joined the queue to see what would happen.

A couple of minutes later, I got to try out the new online game (for PC). I’m not used to these things, so it took a while to understand the controls and I would never claim to have mastered them. In fact, if it wasn’t for the tutorial letting me win, I’d never have got through it all. It was mildly entertaining and I felt that playing the game well required genuine skill rather than the button-mashing I’ve seen in some games.

Afterwards, I had to fill in a questionnaire. It confused me for a while since it was a list of statements about the game and the available battle modes and asked me to circle ‘yes’ or ‘no’. At the end, there was a little ‘hint’ that said the event staff didn’t like to hear the word ‘no’. Having read that, I circled ‘yes’ for every statement with impunity. On the back were more detailed questions about how many hours I spend gaming and things like that. So mostly they’re just creating awareness amongst people they feel are already their target market, I guess.

I handed in my clipboard and was ushered into tent where more machines were set up and I could play against other people. This was more fun than the tutorial, but more frustrating too. I kept dying and having to respawn repeatedly. Nice graphics, fun to play, but I need to be better at the controls first.

Giant Gundam head.

By then, it was time for the seiyuu talkshow. The guests were Abe Atsushi and Okamoto Nobuhiko, who play Male [Gundam] Operator A and Male [Gundam] Operator B. One is supposed to be cool and energetic, the other mysterious and sexy. At one point, the female MC asked the five or so women in the front row (and the only girls in the vicinity) which one was their type. One woman put her hand up for both, but otherwise, none of them said a word. Maybe they were shy, or maybe they just wanted to pilot their own Gundam like the guys in the room and hadn’t given any thought to their ‘type’.

They played some sound samples from the game and it was amusing seeing Okamoto react to his character’s giggle at the end of his welcome speech. They were then asked to read the same speech out live. I always love seeing seiyuu at work like this and it’s clear Okamoto is very good at controlling his breathing to do voices like the one he uses for the game. The first time, both seiyuu took it seriously, but when they had to do their death speeches, they hammed it up. Lots of fun.

They both went on to play each other in the actual game, which shut down twice in the middle of play. Abe was pretty quiet most of the time, with Okamoto speaking more-or-less like a pilot. There were cheers whenever he pulled off a combo move. They were both really good at the game, so I guess they either practiced or it’s fairly simple if you do enough online gaming.

Gundam Cafe

Afterwards, I resumed my attempt to find the Gundam Cafe (Official Site, Map). The oversimplified map on the official site told me it was around the large area in front of the station. Very useful for Akiba types, I imagine, but not much use to me.

When I finally found it, the store front was a far cry from the almost-empty pavement I’d seen on the internet. There were swarms of people, some choosing to queue and some choosing to take a photo and leave.

A quick look told me that customers fell broadly into two categories — male-female couples and solo male otaku. I was alone and had just come from an SD Gundam online game seiyuu event, so feel free to draw your own conclusions.

I asked the guy holding the “This Is The End Of The Queue” sign about the length of the wait time. He told me it would be about two hours, but reminded me it was open until 11pm. I thanked him and left. In two hours I could go all the way to Sendai and drink at Gundam Shot Bar Zion again.

A florist shop dating from 1927.

For every entry in the JSOC Blog Matsuri on the topic of secret Japan, there will be someone to claim that they’ve known about whatever is being discussed for years. Of course they they’ve always known about the udon shop inside the crater of Mt Fuji that’s guarded by a six-headed tanuki. Which is simply not true — ask any Japanese person where the six-headed tanuki can be found and they’ll refuse to answer, backing away slowly. That’s how secret it is.

So what qualifies Edo Tokyo Tatemonoen (Edo-Tokyo Open Air Architectural Museum) to be described as a part of ‘secret Japan’? Well, it’s considered far enough away from the train stations surrounding it, all of which are outside the sacred Yamanote ring of Tokyo, that even the official website suggests you catch a bus. And let’s face it, a guidebook that covers Harajuku, Roppongi and Koganei isn’t going to happen anytime soon.

Inside the park, you’ll find historic buildings that have been deconstructed and rebuilt in order to preserve them. These range from a traditional farm house from the end of the Edo Era (1603 – 1868) to modern residences from the 1940s. Honestly, nothing prepares you for the feeling of being a thousand miles from “home” (or something like it) and realizing your grandmother used that kind of washing machine.

My favourite area is the street from very early in the Showa Era (1926 – 1989), with a florist, a soy sauce merchant, a bar and many other shops. The stationers is lined with calligraphy brushes and the florists is decorated in modern white tiles and filled with plastic flowers. All the shop interiors have been recreated and it’s a great opportunity to take a few photographs. At the end nearest to the entrance there’s a stand selling 2010-style takoyaki and icecream, so you can sit outdoors and take in the view for a while. You can also go into an udon restaurant which sells real udon for 600 yen. No tanuki, six-headed or otherwise, need be harmed.

 

Detail from a wooden panel in one of the houses.
Fire watchtower which original stood in Ueno. But wait! There's nature too! These are peach blossoms.

 

The details:

Entry won’t cost more than 400 yen and there are discounts if you’re over 65 or studying at university.

April to September, open from 9.30am to 5.30pm.
October to March, open from 9.30am to 4.30pm
The park is closed on Mondays and over the New Year holidays.

To get there, go to Musashi Koganei, Higashi Koganei or Hana Koganei and then catch a bus (although I recommend you walk – it’s only about 1.1 km from Hana Koganei).

MAP

Rules: Photography is forbidden in the indoor museum, the Mitsui Hachirouemon storehouse and in the Mitsui family chapel on the second floor. You can’t sketch or use tripods inside buildings or where you might cause a disturbance.

Statue at a local shrine

A post on What Japan Thinks dared to ask whether cherry blossoms are overrated.

My memory of cherry blossom in England is quite different from those created in Japan. I remember being in St. James Park and my parents asking me if the tree next to us was sakura, as they knew I was “into Japanese culture” (as we anime fans like to put it). It had the distinctive pale pink petals, but it didn’t seem special.

Fast-forward to one of my first trips to Japan, which coincided with spring. I was fascinated by the various photoshoots for advertisements that were going on around Ueno Park, with the photographers holding up big silver foil plates to reflect the light. More importantly, they were gathering up the petals so they could scatter them over the model and in front of the lens. Yes, I was fascinated by the lies being created as I watched. The blossoms didn’t make a big impact though.

Spring in Japan has a place usually occupied by summer in Western countries which follow the September-August school year. For many of us who attended school in these countries, long summer days are linked to nostalgia, saying goodbye to friends and growing up. In Japan, where the school year runs from April to March, the memories of ‘our last time together’ are centred around the beginning of spring. The fleeting nature of the blossoms combines with the bittersweet memories of school entrance and graduation ceremonies.

Sakura are a timebomb. All this time you’ve been walking past a perfectly nondescript tree then — suddenly — they explode into white-pink fluffiness. The sheer volume of petals changes the scenery entirely and makes Japan look like a new world. That brings us to why cherry blossom in Japan is better than in England. It’s all in the planning. Throughout the year, Japanese streets are lined with millions of ordinary-looking trees just waiting to hulk out and become something extraordinary. The effect of these trees en masse, unlike the handful of trees back in England, is amazing.

You might be able to tell what side of the argument I come down by now. There is certainly a dark side to cherry blossoms which comes in the form of hanami (holding a party underneath the trees). This often involves compulsory drinking, dealing with crowds and piles of rubbish, but should be considered separately from the beauty of sakura. Have a look at some more of my photos below (click to enlarge) or check out some blog posts I liked on the subject.

 

Blog posts:
Flower Power Hanami-Style at JapaneseCultureGoNow! (A more pop culture take on cherry blossoms)
Hanami in Yokohama at Going Loco in Yokohama (Cherry blossom amidst European-style architecture in Yokohama)
Inokashira Creepy at A Canadian’s Adventures in Tokyo (Cherry blossom lit up at night)

 

Ueno Park cherry blossom Ueno Park cherry blossom
Ueno Park cherry blossom  Inokashira Park cherry blossom at night

 

Miso Kit Kat

 

Everyone knows about miso and its cousin, miso soup. I hadn’t really thought about what actually went into. Sure, it’s fermented soy beans, but that describes a hell of a variety of other products, from soy sauce to natto. Wikipedia clears it up — it’s soy beans (and sometimes barley or rice) plus salt and a fungus named koujikin. Unless you’ve completely missed the title of this post, you know what comes next.

I offered to share the Miso Kit Kat, thinking I would never be able to finish it (like the Wasabi Kit Kat), but no one took me up on my offer.

It was a little salty, but in a good way. Just like shio caramel (salted caramel) brings out a kind of buttery flavour, so did the miso. In short, it was amazing. Can’t say it particularly tasted like miso, but that’s for the best.

Sakura in Inokashira Park
Click to enlarge

 

Ah, sakura season. You cross a bridge at twilight and pause halfway to see trees heaving with cherry blossoms trailing their branches in the water from beside the riverbank. Breathing in the night air, you quietly take a picture, marvelling at how lucky you were to chance upon such a night view…

Like hell it’s like that! No, it’s all piles of trash and people spreading their blue tarpaulins all over the park and impatient photographers tying to get the best shot.

When I took two of the photos below, I was surrounded by people with all kinds of camera, from basic to pro. Everyone had their finger on the button, waiting for the staff from the boathouse to row out to the centre of the lake and bring in two kids in a pedal-boat who’d lost track of time. You see, just ten minutes before, the entire area in Inokashira Park (Kichijouji) was filled with people riding paddle-powered plastic ducks around.

The minute they got those kids far enough out of the frame, all the cameras went off and we could take home our picture-perfect photo of a quiet lake in Japan, surrounded by sakura.

 

Sakura close up Sakura close up
Sakura close up Sakura close up
A streetlamp surrounded by sakura A shrine surrounded by sakura A shrine surrounded by sakura
A lake surrounded by sakura A shrine surrounded by sakura
A lake surrounded by sakura A shrine surrounded by sakura
Click to enlarge

 

The cherry blossom forecasts say that the sakura will be in full bloom on April 3rd (Saturday). You might also enjoy my post on plum blossoms (and cultists), which have already bloomed this year.