20th Century Boys movie poster.

This review contains spoilers.

Kenji is upset. He’s upset because the plans made by a club that he formed when he was a kid are now being used to destroy the world. Successfully.

The leader of the revolution is Tomodachi (“Friend”) and his political party called Yuumintou (“Friendship Democratic Party”). Step by step, his plans for world domination follow the crude drawings of Kenji and his friends. These illustrations depicted terrorists and the boys (and one girl) imagined themselves as a superhero team who could stop them.

The beginning of the end starts when Kenji starts seeing the symbol that they designed everywhere, particularly in connection with the death of his friend, Donkey. You probably know it by now as the hand/eye emblem used in all the advertising for these movies. It’s creepy and mysterious as Kenji enlists his former friends to find out who is behind this and also functions as a (brief) meditation on childhood memory.

It’s so creepy that it’s almost a disappointment when the giant robots show up in the end. Having said that, you have to have a certain amount of respect for a movie trilogy that has already destroyed most of the world by the end of the first part.

What really struck me is that, according to this movie, Japan hasn’t really changed much from the late sixties to the present day. The 1970s school might well have been filmed without making any changes. The only difference I noted throughout the film was the size and technology of the mobile phones. I have no idea if this is accurate, or if they were making a point as the world only really changes after Tomodachi achieves power. Due to the movie’s depiction of time, you watch as the characters change and grow up, only to be murdered or end up working in a convenience store. That left me feeling quite unsettled, although I doubt that was the point.

Worth mentioning is that (so far), you don’t need to have read the manga to be able to follow it all. The movie explains everything you need as you go. I’m looking forward to the next parts.

Twentieth Century Boys: The Beginning of the End // Nijusseiki Shounen: Owari no Hajimari and Twentieth Century Boys: Final Hope // Nijusseiki Shounen: Saigo no Kibou are available to rent on DVD in Japan. The third and final part (Twentieth Century Boys: Our Flag // Nijusseiki Shounen: Bokura no Hata) will get its cinematic release on 29th August.

The official site is here. If you thought my review was fun, check out my review of G.I. Joe.

Yakiniku

 

Please note that this review contains spoilers.

 

Every summer a cry goes up. “Movies these days have been designed for ten year old boys with tiny attention spans!” they say. If you took one of these critics and asked them to create a parody of what they thought movie execs wanted, in between muttering “Then he joins two katana together to make a double katana,” and “So he covers his face in silver and renames him Destros,” they would have written the script to G.I. Joe: The Rise of Cobra.

GI Joe makes it work by using everything they can think of. When it gets a bit too silly, they add another trope to the mix and make it even sillier. Evil guy with a mask and monocle? Sure, but how about if we made him the brother of the main guy’s love interest? (I would love to recommend TV Tropes to you, but I’ve never known anyone to make it out of that site alive). It’s internally consistent and it makes perfect sense when it turns out the two ninja, one dressed in black and the other in while, have a shared history.

One has to disguise one’s love for these movies, of course. It’s appropriate to say, “While it didn’t shed any light on the mystery and existential nature of the human condition, it was in accordance with the way the trailers portrayed it.” You can’t say, “The fight scenes and explosions were really cool and that evil ninja in white was awesome!”

But GI Joe IS awesome. Not awesome as might be commonly understood to mean ‘very, very good,’ but awesome as in the moment The Doctor describes the way he’s injected a serum into a group of men to take away their sense of fear in order to turn them into an army of killing machines. Then he makes one stick his hand into a terrarium holding a king cobra, which bites the guy, but his body pushes out the poison. Then there’s another explosion, or something. See? AWESOME.

Incidentally, said awesome evil ninja (Byung-hun Lee) will turn up very soon in The Good, The Bad, The Weird a movie from South Korea which looks like it’s going to be… y’know… awesome. The release date for “GBW” in Japan is August 29th.