Are these the actions of a man who had ALL THE TENIMYU HE COULD HANDLE?

Dream Live is what you get when you cross Wimbledon with a host club and a certain song from the Lonely Island (video, NSFW). It’s the revue version of Musical Tennis no Oujisama and takes place between plot arcs of the regular musicals in which a junior high tennis team attempt to win the nationals. Dream Live 7th was the climactic run in a seven year-long ‘first season’ and took place in Yokohama Arena in front of around 17,000 fans.

I got to Yokohama on Friday night having dashed across Tokyo from work. I was the only person there in work clothes, with everyone else in either pretty floral dresses or Dream Live T-shirts that they queued for hours to buy. Some had coordinated tennis-themed clothing with their friends.

In the lobby they had smaller booths selling the concert basics that even non-fans want to buy. I say ‘non-fans’, but there aren’t really any here. Tickets are tough to get — you call up a special number and get a lottery number, then ring back a couple of days later to find they don’t have any tickets for you. You go to a convenience store at 10 am on a Sunday morning (there will already be a girl in a pretty floral dress in front of you) and button-mash the ticket machine for 20 minutes until it stops giving you a busy signal and tells you all the regular tickets are sold out. Then your friends take pity on you (they also happen to have won 12 tickets in the lottery) and sell you one of theirs.

Today, there’s just me and my loose tie and jacket, bag full of papers on education and stuff. I only want a penlight (the limited edition sold out) and a program. Unlike theatre programs in Britain which often have a list of scenes plus song titles, these just have lots of photographs and short interviews with the stars. At the booths outside, you can buy sets of photos of every actor appearing for 600 yen each, plus posters and T-shirts. The queue will take several hours to get through, depending on the weather.

The stadium is smoky and the stage is already decked out in blue, yellow and pink rainbows and green disco lights. There’s an announcement about not filming and turning off mobile phones made by the actors who play the ichinen trio. Musicals often get actors to do this standard announcement in character in the hopes people will pay attention. Like airplane safety, you plan to follow as best as you can, but it doesn’t stop it from being part of the scenery.

The lights go out and all the penlights come on and start swaying. They’re mostly blue, because that’s both Team Seigaku and Team Hyoutei’s colour… and also the most commonly available penlight colour. They wave in time to the music and it’s like being on Pandora. Echizen Ryouma, I seeeeee you.

The giant screen above the main stage lights up and shows images of the actors dressed in their tennis gear. The screams are piercing and people are going crazy for certain characters and teams. Speaking as someone who’s never come from the mere sight of a guy in a tennis outfit, I felt more out of place than ever. The girls next to me were jumping up and down and screaming themselves hoarse over Yagyuu.

A full song list can be found here on the Tenipuri_Myu community on Livejournal. They included some of my favourites, including “V.I.C.T.O.R.Y.” and “Aoku Moeru Honoo”.

Next, there was a staged video segment of rehearsals, which let me baffled. Some of people around me were really into some of the actors getting slapped and punished. Compared to previous Dream Lives, there were more songs and fewer skits and fancy costumes. There were more references to the actors-as-actors, rather than their characters.

Then came the First Cast. The actors that portrayed Seigaku in the very first run of the musical. Perhaps… I am a fan after all. I’ve never seen these guys as their characters live, although I will admit to being a fan of Tuti (Tsuchiya Yuuichi) when he acts as Gin in Rock Musical Bleach. Their appearance means different things to different people. It’s been seven years since Tenimyu first started and for many people this is their last chance to see the cast that started it for them. For others it’s a chance to see the cast that came before that they’ve never seen live.

They sang the iconic “Kore ga Seigaku Regularjin na no da” and a character medley from the first musical. When they did the talk segment, they seemed strangely plastic and younger than I remembered. There must have been a hell of a lot of make-up involved and possibly a bit of stage fright. The first time, they spent the entire segment having Kimeru saying other character’s catchphrases. He could’ve sung “You Got Game?” in that time instead. Second time around was much better and involved Inui’s juice.

After more songs is another talk segment with actors who portrayed characters in previous musical. At the first show I attended, this was fairly awkward. Most of them weren’t quite sure what they were doing there or what was expected. Of the first group, I was only really interested in Toyanaga Toshiyuki, but mainly because of his work as a voice actor. The second group I saw included Miyano Mamoru (another voice actor) and everyone had much more to say.

The concert finished off with two ending themes — “F.G.K.S” and “On My Way”. It occurred to me that they hadn’t sang “Season” yet, which was recently voted the most popular song from the Tenimyu franchise on the official site. Ueshima-sensei (the dance mastermind behind choreography) came out and announced it as the last song. Deep down, I have to admit that is the kind of trivia only fans can remember.

 

If you liked this review, you can check out my review of the second Kuroshitsuji musical or see my list of the top ten anime musicals and stage shows.

Design Festa: Most awesome thing you've ever seen

While the Kuroshitsuji musical has the best-dressed audience, Design Festa attendees are the most original. A number of them were wearing their original creations, many of them using kimono fabric.

I arrived at 10:30am at the Big Sight knowing that it opened at around 11:00am. With my experience attending Comiket and the Tokyo International Anime Fair, I figured that that would get me inside the quickest. I needn’t have worried, since there was only a tiny queue. Many of the booth staff were still setting up at that time as well, so it wasn’t like I missed anything. You might as well arrive at a little past opening.

There was a huge variety of Stuff available to buy. At first glance, grandma-style Victoriana seemed to outstrip the goth Victoriana, but the latter was still there. One shop specialised in black gothic dresses with straps featuring crucified bunny rabbits.

I was amazed at the number of satirical T-shirts featuring un-PC depictions of Kim Jong-Il and other political figures, which I really don’t see much in Japan. There were torn shirts made from non-torn shirts, ordinary-looking jeans and patched together animal headpieces. I also saw a cool rabbit gasmark; but wear it once and you’re awesome, wear it twice and you’re that guy with the rabbit gasmask. There were also bars of home-made soap for sale, which intrigued me. I looked into it once and found I’d have to look for a lye (sodium hydroxide) supplier in Japan. That couldn’t be easy.

In the end, I bought two postcards by Akito, who seems to be inspired by H. R. Giger and anime. I would have loved to be able to buy artbooks from any of the booths or, even better, a collection from a selection of booths (yes, I realise that’s impossible). I don’t have anywhere to put the stuff on sale, or it’s not something I would wear or use, but it was so awesome I wanted to keep it to look at anyway. Photographs for that end (which are fine at most booths) seem mean-spirited.

 

Click on any of the photographs to enlarge.

 

Live painting area:

 

Design Festa: Live Painting Area Design Festa: Live Painting Area

 

Booths:

(My friends declared the giant plant-thing to be ‘kawaii’ and ‘cute’. What do you think?)

 

Design Festa: Cute or Not? Design Festa: Model City

 

Dolls:

 

Design Festa: Dolls Design Festa: Giant Ballerina Doll

 

More Booths:

(One of the booths specialised in making plastic keyrings with everyday objects subjected to a type of Japanese bondage called ‘kinbaku’. I thought this was awesome, but not everyone agreed!)

 

Design Festa: Onigiri Kinbaku Design Festa: University Students' Booth

 

There were two stages. One was bigger, indoors and had more mainstream acts. The other was outdoors, tending towards goth/punk/indie and was like a tiny Glastonbury festival. This was what kept me at Design Festa from the very start until closing. The atmosphere was amazing. The bar next to the stage had the worst beer I’ve ever had, while the French-style hotdog stand tasted great and used real sausages.

Bands:

(Jack and Sally, plus two of Kojinshugi Gekijo.)

 

Design Festa: Jack and Sally Design Festa: Kojinshugi Gekijo Design Festa: Kojinshugi Gekijo

 

Psydoll, one of my favourites:

 

Design Festa: Psydoll Design Festa: Psydoll Design Festa: Psydoll

 

N.S.D.P, who seemed to have lots of female fans:

 

Design Festa: N.S.D.P. Design Festa: N.S.D.P. Design Festa: N.S.D.P.

 

ENIGMATIC DRIVE did alt. jazz. I wouldn’t have said jazz was really my thing, but it was a great feeling at the end of the day to hear those notes echo into the sky as it got darker.

 

Design Festa: ENIGMATIC DRIVE

 

More than anything, I was left with a strong desire to create something or design something or just… DO something. Well at least I have a blog, I guess.

 

三月三十日の日曜日
パリの朝に燃えたいのちひとつ
フランシーヌ
Sangatsu sanjuunichi no nichiyoubi
PARI no asa ni moeta inochi hitotsu
FURANSHIINU
In Paris on the morning of Sunday March 30th,
A life was burned away.
Francine.

 

These lines from the 1969 song “Francine no Baai” (フランシーヌの場合) stayed with me long after the late evening enka/oldies ranking extravaganza had ended. It offered a window on a specific place, time and person, but omitted the event. What had happened to Francine in Paris on the morning of Sunday March 30th?

A Google search for Shintani Noriko, the singer who recorded the song, has links to recordings of this song and reveals she’s a pacifist whose song is considered important enough to be included in overviews of postwar music in Japan. Looking up world events and seeing if anything was listed under March 30th in English proved fruitless.

To discover the story of Francine, I needed to search in Japanese. I soon found that her full name was Francine Lecomte and, bizarrely, that didn’t help my search in English any more than before. However, the Japanese Wikipedia has tons of stuff on the issues surrounding the song and 1960s counterculture in Japan. From the page on Shintani Noriko:

“Francine no Baai” is about a 30 year-old French woman called Francine Lecomte who, on March 30th 1969, burned herself to death in an anti-war protest in Paris. The record went on sale on June 15th, declared to be Anti US-Japan Security Treaty Day since the same day in 1960 was when Kanba Michiko was killed in a student protest outside the Diet building,. Around 800,000 records were sold, making it a huge hit.

Worth noting is that none of these pages have an English equivalent and, as you can see, this incident IS listed in the Japanese timeline for March 30th. However, while the case of Francine is largely unremarked upon in English, it was reported by the Asahi Shimbun and taken to heart by a number of Japanese protesters at the time. To find out more about postwar Japanese protests in English, you can read a limited preview on Google Books of Organizing the spontaneous: citizen protest in postwar Japan by Wesley Makoto Sasaki-Uemura. You can also listen to the song itself by clicking on the embedded YouTube clip below.