Tokyo Toy Show: Steampunk Project Pullips.

Tokyo Toy Show is an annual event where toy makers from Japan demonstrate their latest products. The first two days are for business only, but the weekend is open to the public. For some reason, llamas always seem popular.

My first booth was Groove Inc which has apparently taken over marketing Pullips, a brand of Korean doll, in Japan from Jun Planning. If what I saw at their booth is any indication, they’re doing a great job. The booth manager approached me in English, talked positively about their products and gave me his business card. I was extremely impressed by the professionalism on display here… not to mention the products themselves. My favourites were the new limited edition Steampunk Project dolls, each one based on different doll types. The designs were more than just ticking boxes (“Okay, goggles… top hat… gears… we’re done!”) and detail was incredible.

Hot Toys, on the other hand, were doing the same things they always do. Alien figures, Michael Jackson figures, Mars Attac– wait, who is buying these things? Who has been searching all over for plastic models of Inglourious Basterds’ characters?

A small stand devoted to Hexbug Nanos was hidden in the Bandai booth labyrinth. The bug-like robots, about the size of a thumb, ran around on a tabletop. “Put your hands down!” exhorted the salesperson. “COLLECT THEM!!” If you put your hands flat on the table, the Hexbugs vibrated violently towards you and got stuck between your fingers and you’d amass ten or twenty of the things thrusting into the creases between your fingers.

However, I’ve never bought anything at the Toy Show until today. At the Gentosha Education booth, I watched a demonstration of Doubutsu Shougi (“Animal Shogi“), which has been put together by the Ladies’ Professional Shogi Players of Japan to introduce children to the strategy behind shogi. It’s played on a 4 x 4 board and players control four thick wooden blocks which each have a simple animal picture – a lion, an elephant, a giraffe and a chick, which can be promoted into a cockerel. Despite being aimed at kids, this is a fun strategy game for adults and comes highly recommended.

Finally, here’s a list of Japanese Toy Awards 2010 grand prize winners. I find myself a bit uneasy at the separate categories for girls and boys. I’d suggest they change it to “Toys To Celebrate Domesticity” and “Toys To Celebrate Sports And Engineering” but everyone would be able to see what they did there.


Category Name Company Sale Date Price in Yen
Access For All Children “Kyouyuu” Award Korokoro Talking Tomica A I U E O Takara Tomy June 2010 6,090
Educational Award Talking With Anpanman: Picture Dictionary Sega Toys April 2010 7,140
Boys’ Toy Award Ishikawa Ryou’s Exciting Golf Epoch July 2010 8,379
Girls’ Toy Award Shushurun Pilot April 2010 2,604
Character Toy Award Kamen Rider W Transformation Belt DX Double Driver Bandai September 2009 6,825
Innovative Toy Award JIGAZO PUZZLE @rt Tenyo September 2010 (provisional) 2,310 (provisional)
High Target Award Otamatone Cube November 2009 2,940

More photographs from Tokyo Toy Fair 2010 (including a llama!) after the jump

Itabashi Hanabi Taikai

Sumida River Fireworks Festival sucks! Yes, the most famous summer fireworks festival in Japan, officially known as Sumidagawa Hanabi Taikai, is crap. There are three key reasons why:

 

(1) You have to camp out for weeks in the hope of seeing anything. All the best places fill up as the event gets closer. You won’t find anywhere comfortable to stand, let alone sit, no matter how early you show up on the day. My memory of the festival was of standing behind a wire fence on a small patch of grass slightly smaller than the area covered by the soles of my feet.

(2) The ‘boom factor’ is a lie. The fireworks go off in two different places, meaning the number is effectively halved. That makes the number you can actually see around the same as less well-attended displays. There are, however, a few choice spots where you can see both locations. For that, you’ll need to camp out for weeks.

(3) Crowds. Once the display is over, everyone heads to Asakusa Station. That’s 948,000 people all heading in the same direction. Eating is also a big part of festivals, so the usually scenic Asakusa streets are lined with trash.

 

Thankfully, there are better firework displays, like Itabashi Hanabi Taikai (いたばし花火大会). My friends arrived in the early afternoon and spread out their blue sheet. We drank and ate red velvet cake while dragonflies danced around us until it got dark.

Another great festival is The 43rd Katsushika Nouryou Hanabi Taikai (第43回葛飾納涼花火大会). All day and into the evening, giant red dragonflies float above the grass, making it look like a section of one of those digital art posters you had in college where all the dolphins are flying into space on rainbows.

 

Itabashi Hanabi Taikai

 

What you need:

A blue plastic sheet. Hell yeah it has to be blue! Don’t look at me, I don’t make the rules. This is used not so much as a place to sit, but more of a way to mark your territory.
Plastic bags. To put your rubbish in. You’ll need more than one.
Beer. Don’t buy it from the convenience store near the display since they’ll be full of people doing the exact same thing. If it has to be ice-cold, you can buy it from a vendor (limited selection), but you’ll still want more than one over the course of the display. Buy those in advance.
Wet wipes. Eating buttered jacket potatoes with chopsticks is tough. Most festival food is fairly greasy too.
No food. Never bring food. There are plenty of food stalls selling food and even standard fare like corn-on-the-cob and jacket potatoes have a Japanese twist to them. You’ll have to queue for these too, but it’s worth it.

 

There are a number of summer firework festivals and almost all of these are better than Sumidagawa. For a fairly comprehensive free listing, pick up Lawson’s Ticket magazine from Lawson’s convenience store. However, even if you aren’t in Tokyo (or, perhaps, especially if you’re not in Tokyo), there should be plenty of local firework displays around you. Have fun!

This was a response to a call for submissions to the June 2010 Japan Blog Matsuri on “Hot Fun In the Summertime!” Thank you to Locohama for hosting.

Sunrise at Mt Fuji

If you were offered an experience that left you in pain with patches of missing time while depriving you of sleep and forcing you to survive on Cup Noodle, would you accept? Now imagine that you’ve been told you’d be missing out on a must-do life experience if you refused. If you’re still on board, welcome to the hell that is climbing Japan’s Mt Fuji.

That’s not to say that climbing Mt Fuji isn’t a once-in-a-lifetime experience. Of course it is. You’d never submit to it twice. Japanese people even have a saying for this: “You’re a fool if you never climb it, but a fool if you climb it twice” (登らぬ馬鹿二度登る馬鹿 / Noboranu baka nido noboru baka).

My partner and I left by bus on Saturday afternoon from Shinjuku, one of the key train stations in Tokyo. Just finding the combined bus terminal and ticket office had been a trial. No one could give me decent instructions and one even suggested I look inside a convenience store. Finally, someone told me it was right next to Yodobashi Camera. You mean the Yodobashi Camera with big red neon lights that reach to its roof? That Yodobashi Camera? Once I started walking towards the store, I could see the sign for the bus terminal sticking out, only visible if you were already walking towards it. There, I was told that ticket reservations were on the second floor. Which didn’t exist. I had to go outside and in through another door which looked like a personnel entrance except for the sign. Even then, I felt like I was trespassing.

The bus from Shinjuku is the cheapest way to get to the fifth station (五合目 / go-goume) from central Tokyo. If you’re going at the weekend, you’ll need to book in advance, but you might be able to do without that if you’re going on a weekday. When I went to book on a Wednesday evening near the end of August, there were plenty of same-day tickets available. Having said that, we took the train back from Kawaguchiko Station and found it more relaxing and not really that much more expensive. We might have been numb to the prospect of spending more money by then though.

Morning at the torii arch on Mt Fuji

Once we arrived at the fifth station, we paid to use the toilets (50 yen) after the two and a half hour bus ride, and got to the restaurant two minutes after they stopped serving food. It wasn’t even eight o’clock yet. We bought tons of food at the combined hiking equipment/gift shop below it to compensate, including mountain stew-flavoured potato chips. It was a strange world, where people seemed to have put on a backpack for the very first time that morning and were no longer aware of how much space they were taking up. Everyone seemed a little dazed.

I never thought Mt Fuji would be a difficult climb. I love Mt Takao in west Tokyo, and have climbed that a number of times. It’s a fun, easy trip that takes in several temples and a waterfall (depending on your route). The authorities have put in street lights and a paved road, while vending machines and noodle shops greet you at the top. The policy in Japan with mountains seems to be that they will do everything to make them accessible and ensure you don’t so much as break a sweat.

Not so Fuji.

It started out easy. Walking through the forest in the dark with lamps mounted to our heads was fun. After a while, we could truly see the stars for the first time in years.

The sixth station was out of commission during our trip, and so the seventh station was the first one we saw. We’d come some distance by then and, looking up, we could see the golden lights of the seventh station between the lights of the city below and the silver of the constellations overhead. I could almost hear Hugo Weaving intoning, “Welcome to Rivendell.” It was there that the climb got tougher.

While I never felt in danger of falling, there is a lot of scrambling to be done. Paths are loosely defined with ropes and place trust in your sense of self-preservation. A visual check will confirm that most of the time there are only scree slopes tilting at impossible angles beyond.

Mt Fuji Before Dawn

At the seventh station, we had a welcome rest. Already I could see hikers with their faces buried in the mouthpieces of their canisters of oxygen. My heart hurt a bit, but it was nothing I couldn’t deal with. Here, we got the first of the brands (焼印 / yakiin) on our wooden hiking sticks and then kept walking. There were people everywhere and that led to bottlenecks with queues stretching up and down the mountain. At some point between the seventh and eighth stations, I gave in and got a Cup Noodle. No idea what flavour; the packaging was white and blue, if it helps. It was the best thing I’d tasted in years.

Hours later, it was almost dawn. The altitude sickness had kicked in. My chest was tight and I felt as I were about to throw up. We stopped and my partner had some ramen while I put my head down on the wooden table. You could pay to rest on a bench for 1000 yen and we did so, although it turned out that the Japanese interpretation of the word ‘rest’ (the sign was in English) didn’t include the concept of ‘sleep’. At around 4.45am, we woke up alongside a few Japanese people who were also “resting” there. Although I’d heard that dawn was around five, through the door I could see a sliver of rainbow sky at the horizon. I will never forget the view as I stepped out of that hut.

Below us were thick morning-blue clouds that fell away to reveal glittering city lights. Misty mountains rose above them to our right. Above us, the stars were still visible, and ahead was the pre-dawn sky.

Shivering, we climbed up a little further and waited on a rock. There was a bank of cloud on the horizon, which glowed silver and lit the clouds below in grey-blue. As the first rays shone from around the cloud, the sound of gasps and whoops and cameras going off travelled down from the summit and continued to the people below us. In that shared experience, something in my heart stirred. Or perhaps it was the altitude sickness again.

We took more pictures and a guy next to us was pretending he was from Dragonball and getting his friend to take photos of him “shooting ki energy” with the sun. I was tired and I laughed.

Mt Fuji's crater

Now we had to get to the summit and so we joined the queue. Yes, queue. It snaked underneath the two torii arches, both of which had hundreds of coins lodged into the woodwork. This section took longer than a couple of sentences can convey, just like most of this account. One step at a time, we made it to the finish the finish line at exactly the same time. A recommended strategy for competitive folks.

The summit, like many famous tourist attractions, has a row of gift shops and restaurants which are extremely crowded, while more interesting areas are almost empty. Once we had our photos taken at the height marker, we purchased victory oxygen, which clearly states on the label that it was bought at a height of 3776 metres, then had ramen and coffee. An attempt to use the bathroom facilities was made and then aborted in horror. As an aside, we saw some furries in felt costumes at the ramen shop. I like to think that they changed clothing at the highest point possible, and didn’t do the whole climb like that. Even at around nine in the morning, the sun was intense.

Afterwards, we set off to those interesting areas, which meant a trip around the crater. As my partner said, “We’re going to doing everything we possibly can while up here. I don’t want us to have any reason to come back.” As you walk away from the tourist area, there is a real danger of falling into the volcanic crater, which sounds pretty cool now I think about it. A flimsy rope at about knee-height separates yet another scree slope from a sheer drop into the volcano.

Weather Station at the top of Mt Fuji

If you walk up the Kawaguchiko route, the highest peak on Mt Fuji should be opposite you, looking reminiscent of a Citadel of Evil. Atop it is a weather station, abandoned roughly ten years ago, looking nicely rusted. There’s even a metal platform that you can walk out onto that overhangs the mountain face. It doesn’t seem safe by any means, but you’ll feel better having done it. The crater also takes in a Shinto shrine, which has people slumped all over it, looking like a scene out of the Japanese horror movie.

Descending Fuji was dull. It reminded me of a scene from Final Fantasy VII where you have to go up many flights of stairs in Shinra HQ and have no choice but to keep pushing forwards. The only thing that breaks the monotony is the danger of slipping. Falling rocks are inevitable, particularly on the way down, but them being a size large enough to kill you isn’t. Maybe you’ll be lucky.

The misty weather when returning to the fifth station made it seem like early morning. As we walked through the gate that had marked the start of our route, our faces caked in volcanic sand that clung to the sunscreen, we cheered. A guy behind us saw us and started cheering too, shouting ‘congratulations!’

In the end, it has been around three weeks since I climbed it and my feelings on it have changed a lot. When I found myself on the bus going to Kawaguchiko Station and back to Tokyo, I felt a fervent desire to be carried straight into a shower and then to my computer so I could warn fellow human beings away from this mistake of an expedition. Then I remember the shared experience of the sunrise and the feeling of accomplishment at the end. The kindness of other hikers, one of whom, on overhearing that I had a headache from altitude sickness, offered her oxygen to me. It turned out she was actually someone I knew online, but she hadn’t known that until I turned around. Almost everyone we met on our journey up and down Fuji were friendly, from the Americans on vacation from Okinawa to the icecream seller at the fifth station. I’m now thinking about next year and I think yes, we will be returning. Call me an idiot, if you like.

 

Tips:

  • Buy a plain wooden hiking stick at the fifth station and choose one with a red ribbon. The dye runs when wet (and you will get wet), so red is the coolest colour for when that happens.
  • If you think you’ll need oxygen, buy it at the lower stations where it’s cheapest. Note that there are three other ‘fifth stations’ and I’m talking about the one on the Kawaguchiko Route.
  • If you’re planning to climb while on holiday/vacation in Japan, you will need to come in summer, between July and August.
  • You will need a headlamp, sunscreen, money, a rucksack, warm clothes in layers, a raincoat, climbing gloves, boots, and the aforementioned hiking stick.
  • After your descent, buy omiyage (food souvenirs) in the gift shop. You’ll never have to figure out how to casually drop the fact you’ve just climbed Mt Fuji into conversations at work/university.

     

    To see all of my photos from Fuji, check out my Fuji Flickr Set. As always, clicking on any of the photographs in this article will lead you to their individual Flickr page. To read about another cool place worth visiting in Japan check out my post on the cemetery in Nagasaki, or simply click on the ‘travel’ tag to your right to discover other suggestions.

  • Bon OdoriThe Obon Festival in Japan is what Halloween would look like if it still had its soul. It’s a festival to welcome departed loved ones into your home and then send them back to where they came from after you’ve spent precious days with them. The main group event is “Bon Odori”, which is a dance that takes place after nightfall, lit by lanterns.

    There are two fixed times to celebrate in Japan, plus another date that moves around based on the lunar calendar. The first is in late July, which is observed by those in Tokyo and a few other places. The second is approaching in August. This is when people from more rural areas celebrate, along with those who still have their hearts there. Around this time, you can see shouryou uma (“soul horse”) made of vegetables and chopsticks by the roadside and outside houses. This is a cucumber or carrot horse with chopsticks for legs and is a prayer at the start of Obon that the departed’s soul will arrive just a little bit quicker. Both horses and cucumbers have a reputation for being pretty fast. At the end of Obon, a cow made of aubergine/eggplant asks for souls to be sent home at their leisure.

    I asked my Japanese teacher if these were kindred spirits to teruterubouzu, which are made by children hoping for sunny days during the rainy season, and she gave me a resounding ‘no’. Teruterubouzu are for children, whereas a shouryou uma is a sincere prayer. She also told me about a private moment of the festival, when families take lanterns to and from the temple. The light guides the spirits to their home. In times past, this light was kept on throughout Obon, but this practice has since stopped.

    I can’t take part in that, but Bon Odori holds a special place in my heart. People from the local community dance around a yagura, which is part watchtower, part stage, and usually has a taiko drummer at the top. Pre-recorded folk songs play and people use simple, repetitive movements to move around the tower. As long as you’re respectful, you can usually join in too. The secret is to copy the oldest person in the circle.

    Below are photographs of the yagura and lanterns. If you would like to know more about Obon, please check out Choutin.com (simple Japanese) or the ever reliable Wikipedia (English).

     

     

     

    All the entries for the JSOC Blog Matsuri on the subject of unusual things in Japan have been revealed at Gakuranman.com, including my piece on beetles.

     

     

     

     

     

    The Blog Matsuri theme this month is about unusual things in Japan. I almost wrote about grapes and the moment I realised I was the only person in the room not peeling them before eating. I suppose you do what you have to when fresh fruit are scarce and a single strawberry can cost 200 yen.

    This summer, however, my attentions are elsewhere. Every day for the past two weeks, I’ve checked on the progress of several tanks of kabutomushi beetles at my workplace. I’ve watched these creatures grow from larvae buried in the ground to shiny, black-cased bugs. I like shiny things.

    The summertime craze for collecting insects in Japan is single-handedly responsible for anime like Mushiking and Pokemon. Some schools even have special programs which aim to give a kabutomushi to every child. So whenever I mention that my country simply doesn’t have beetles this large to Japanese people, their reaction is often one of surprise. It seems that for many, not having these beetles around is even stranger.

    (The photos for this post are below, just in case there are phobic readers.)

    Cheer up, I could've titled this post 'Beetlemania'.  Kabutomushi AKA Rhinoceros Beetle