Gundam Shot Bar Zion

Gundam Shot Bar Zion in Sendai is relatively far from both the station and the main shopping and eating district. We found it by accident after a friend of ours was searching for a restaurant from her travel guide that serves duck noodles and is closed for all major dining periods (Sundays, evenings, etc…).

Zion is what you might find on an off-world colony if the bar owner was into figure-collecting. The second floor bar is dimly-lit and the walls are lined with Gundam of varying sizes and a video of the original series plays on one of the walls.

The bartender welcomed us warmly and, when we admitted that we needed to leave to catch our train back to Tokyo in twenty minutes, told us what he could prepare from the menu in that time. Apparently food is compulsory, probably due to licensing laws. We had “Dopp GZ no Cockpit de Edamame”, which were edamame beans served decorated with figures, including one of Garma Zabi. We didn’t get to keep them; you have to order a special dessert for that.

Gundam Shot Bar Zion

Our point cards (to be upgraded the next time we visit the bar) identified us as ‘civilians’ in the Gundam universe and I’m keeping it even if I’m not sure if I’ll return to Miyagi Prefecture.

The menu has a number of cocktails unique to the Sendai bar. I chose “Jet Stream Attack” which was a fairly ordinary cola mix (I think… the recipes are secret). My partner got “Akahana,” a grapefruit-based drink served in a cocktail glass and named after an insignificant-but-iconic Zeon guy from the original Gundam who had a red nose. The bartender thought this was a pretty cool choice. And when our drinks arrived, he insisted that, instead of ‘kampai!’ we shout ‘Sieg Zion!’

When we left, said bartender saluted us. It was a wonderful, friendly experience that I would recommend to anyone visiting Sendai, even if you don’t know much about Gundam. I have no idea if the Tokyo bar is as good.

 
 

《 ガンダムショットバー ZION 》
仙台市青葉区大町2-4-1 グランドソレイユ2F
Gundam Shot Bar ZION
Sendai-shi Aoba-ku Oomachi 2-4-1 Grand Soleil 2F

Map

 

Gundam Shot Bar Zion Gundam Shot Bar Zion Gundam Shot Bar Zion
Gundam Shot Bar Zion


 

I was coming home from work yesterday when I saw a man with a weighty professional camera leaning over the railing on the overpass, his camera aimed off into the distance. Looking in that direction, I saw the evening sun was just about to disappear behind Mt. Fuji. I got out my own tiny camera and started taking pictures myself.

We both stared straight ahead at Fuji, neither of us looking in each others’ direction and definitely not comparing cameras. That would have somehow been a breach of etiquette.

Click on the images to see them at 1024 x 768 size.

Tokyo Big Sight by Jasohill

I bought only one doujinshi at Comiket (also known as Comic Market, Comike, etc…) this year, which is in sharp contrast to when I first visited Japan when I couldn’t pull them off the shelves fast enough. In fact, the very first time I went into a store, I didn’t notice the big laminated sign on the front that said ’sample’ and rushed the comic to the check-out. The person at the register had to read out the doujinshi’s pornographic title over the intercom so a member of staff could bring me a proper copy from the rack.

 

The five stages of doujinshi fandom.

What you buy:
(1) All doujinshi featuring your favourite series.
(2) All doujinshi with your favourite characters from your favourite series.
(3) A few nice-looking doujinshi where your two favourite characters make out.
(4) A few nice-looking R-18 doujinshi where your two (or more) favourite characters are going at it.
(5) The one with the alternate universe where they’re all dinosaurs or something

 

Comiket is an event dedicated to doujinshi (fan-made comics) and is held twice a year, in summer and winter. My advice is pretty much the same no matter which one you’re attending.

 

  • Eat a good breakfast and accept you’re probably not going to stop for lunch.
  • If there’s something you really want to buy, go as early as you can and expect queues of more than an hour to get in. By mid-day you can pretty much just walk in. I like to go around 10.45am, when there’s a queue, but not much of one and it’s still early.
  • Entry is free and you don’t need to buy a catalogue. If you don’t have anything specific in mind, walk around until you see something you like. If there’s a particular circle or group you want to buy from, consult their webpage and then one of the maps pinned to the wall.
  • Pay attention to the halls that you’ve visited and which halls are joined together.
  • Make sure you don’t miss the official booth room, where anime/game companies will give you free stuff like over-sized bags, flyers and clear files.
  • If you want to buy something, check the surrounding area to make sure that a queue hasn’t formed elsewhere. It’s really easy to jump queues by accident and annoy people.
  • Do not take photos outside of the cosplay area.
  • In the cosplay area, you can take a picture if the cosplayer is posing and has lots of people taking photographs surrounding him or her. Any other time, ask permission.
  • If you want to cosplay, it’s forbidden to arrive or leave while in costume. You’ll have to pay 800 yen, which will get you a cosplay pass. More detailed information below.
  • Winter Comiket: Bring a coat that’s warm, but light enough to carry once inside.
  • Summer Comiket: Bring water. When I went last year, all the bottled water was sold out and I ended up queuing for half an hour only to have to buy Pepsi Nex, the only thing that was left.

     

    I’ve cosplayed once at Comiket and, knowing the basics already (i.e. you have to pay and you can’t arrive or leave in costume), it was pretty easy. I used to laugh at them, but I now recommend those mini-suitcases on wheels, particularly if you’re wearing an uncomfortable costume.

    First off, go to the changing rooms. The place that used to be the cosplay area is now being used to contain the queues that result from the official booth room. The cosplay area is in a small garden area, which is better for photos. The changing rooms are close by.

    Line up, pay your money (800 yen) and you’ll receive a small pamphlet. It looks like it’s just useless information, but it’s a record of your payment and gives you permission to cosplay. You’ll be asked to show it on your way out of the changing room and when you enter the cosplay area. Don’t lose it.

    I don’t know what I was expecting from the changing room, but it was chaos. It was just a big room with barriers marking a loose path. Everywhere you looked, there were people changing and there wasn’t much space left. There’s also a big sign that said in English, “Do not use color spray or moose.”

    Japanese cosplay seems different from Western cosplay in that there’s a bias towards brand new shows and characters. There are a few cosplayers doing characters from classic anime (Evangelion, older Gundam series), but mostly are cosplaying characters from shows recently aired. Having said that, I saw two people cosplaying Ronald McDonald this year, so if you want to dress up as Sanzou from Saiyuuki, go for it. One more thing — if you are female, pretty and wearing a maid outfit or something similarly girly, be prepared for a lot of excessive attention once in the cosplay area. Some of those photographers creep me out and I’m not even their target!

     

    Which day? (Summer 2010 (Comiket 78))

    Each day of Comiket has a certain general theme and only doujinshi that fall under certain genres will be sold on that day.

    First, search for the magazine your favourite series appeared in (you do know it, right?) and then double-check to see if there’s a specific listing for the creator or series. For example, Inu Yasha was serialised in Weekly Shonen Sunday, and Takahashi Rumiko has her own listing. So, if you wanted to buy Inu Yasha doujinshi, you’d go on day two. (Note: Information is correct as of writing for Summer Comiket 2010 only. All data taken from Comiket Official Site.)

     

    Day 1 (“Anime and Yaoi Day”)

    General: Seiyuu, anime songs, anime and game-based news, overseas anime, magical girl anime, original BL games, one-girl-many-boys dating sims, Neoromance, American comics, and anime for young children. Games covering the genres of action, simulation, adventure, puzzle, sound novels, arcade games and pachinko. Also includes board games, tabletop RPGs, card games, collectible card games, play-by-mail RPGs, play-by-web games and online gaming. This is the day for sports, martial arts, gambling, RPS, pop idols (w-inds, WaT), Takarazuka, Tenimyu and other stage productions and musicals.

    Specific series: .hack (including games), Akatsuki Denkou Senki, Arcana Heart, Atelier, Bikkuriman, Biohazard, Black Matrix, Circadia, Code Geass, Dead or Alive, Devil May Cry, Digi Charat, Digimon, Dragon Quest, Evangelion, Final Fantasy Online, Final Fantasy series, Fire Emblem, Front Mission, Gakuen Heaven, Garou: Mark of the Wolves, Gensou Suikoden, Grow Lanser, Guilty Gear, Gundam, Gunparade March, Gyakuten Saiban, Gurren Lagann, Heart no Kuni no Alice, Hetalia, Inazuma Eleven, King of Fighters, Kuuron Youma Gakuenki, Lamento, Langrisser, Lord of Vermillion, Lucky Dog, Majin Gakuen, Megami Tensei, Monster Hunter, Musou OROCHI, Nintama Rantarou, Ogre Battle, Ore no Shikabane wo Koete yuke, Persona, Quiz Magic Academy, Phantasy Star Online, Pokemon, Pop’n Music, Ragnarok Online, SaGa, Saihai no Yukue, Sakura Taisen, Samuraidamashi, Sangokushi Taisen, Seiken Densetsu, Sengoku BASARA, Sengoku Musou, Senjou no Valkyria, Senkou no Ronde, Shining Force, Shinra Banshou, Shin Sangoku Musou, Smash Brothers, Spectral Force, Street Fighter, Summer Wars, Summon Night, Super Robot Wars, Tales of Phantasia (etc), Tekken, Terra e…, Togainu no Chi, Tokimeki GS, Valkyrie Profile, Virtua Fighter, Virtual-On, With Her, Xenogears, Xenosaga, Yuukyuu and Zelda.

    Specific studios: Gainax and Sunrise.

    Game developers: Atlas, Nippon Ichi Software and Square Enix.

     

    Day 2 (“Manga and Yaoi Day”)

    General and Miscellaneous: Home recordings and movies, cosplay goods, music CDs, Vocaloid, drama CDs, internet, blogs, mascots, desktop mascot software, 2ch, Futaba, Niconico Douga, Sound Horizon, Mukashinagara no Seinyuu Shitate, doujin games, independent software developers, retro games, works based on doujin games and commentary and news. If something doesn’t fit into a recognisable genre listed here, it’s probably on this day.

    Specific series: Death Note, D.Grey-man, Eyeshield 21, Fullmetal Alchemist, Ghost In The Shell, Gintama, Hikaru no Go, Houkago Play, Higurashi no Naku Goro ni, Initial D, Kateikyoushi Hitman Reborn!, Koukoku no Shugosha, Kuroko no Basket, Kuroshitsuji, Majin Tantei Nougami Neuro, Maria-sama ga Miteru, Mr. Fullswing, Natsume Yuujinchou, Naruto, One Piece, Ookiku Furikabutte, Rozen Maiden, Slayers, Suzumiya Haruhi series, Tennis no Oujisama, Toriko, Umineko no Naku Goro ni and Yu-Gi-Oh

    Specific magazines: Afternoon, Bonbon, Birz, Business Jump, Champion RED, Comic Blade, Comic Gum, Comic Punch, Comic REX, Comic Rush, Comic ZeroSum, Corocoro, Dengeki Daioh, Dragon Age, Evening, Gao!, Jump Square, Morning, Shonen Ace, Shonen Champion, Shonen Magazine, Shonen Rival, Shonen Sunday, Shonen Sirius, Super Jump, Ultra Jump, V Jump, Weekly Jump, Young Animal, Young Gangan, Young Jump, Young King, Young Magazine and Young Sunday,

    Specific creators: Amano Kozue, Araki Hirohiko, Azuma Kiyohiko, CLAMP, Fujisaki Ryuu, Fukumoto Nobuyuki, Higuchi Daisuke, Ishinomori Shoutarou, Kawaguchi Kaiji, Kubo Tite, Kurumada Masami, Nakamura Hikaru, Minekura Kazuya, Yasuhiro Nightow, Shibata Ami, Takahashi Youichi, Takei Hiroyuki, Tezuka Osamu, Touhou Project, Togashi Yoshihiro, Yude-Tamago and Takahashi Rumiko.

    (Note: I’ve romanised all names in accordance with the kana with the exception of ones with well-known Anglicised variants.)

     

    Day 3 (“Hentai Day”)

    General: Original works for boys, original works for girls, original june (BL/yaoi) works, manga clubs, original literature and poetry, commentary and news, original works ‘for men’, anime ‘for men’, games ‘for men’, R-18 hentai games, strip mahjong games, love sims, daughter-rearing sims and historical works on topics such as the Three Kingdoms Era or kabuki. You can find reading material for a wide range of ‘otaku’ hobbies on this day — garage kits, trains, bikes, buses, anime figures, dolls, accessories and cameras.

    Game developers: Alice Soft, AQUAPLUS, August, age, Circus, Leaf & Key, Nitro Plus, PULLTOP, TYPE-MOON, UNiSONSHIFT and Windmill.

    Specific creators: Nasu Kinoko

    Games titles: AIR, Akai Ito, Amagami, Aoi Shiro, Baby Princess, CLANNAD, Comic Party, Dousei, DREAM C CLUB, Fate/Stay Night series, THE iDOLM@STER, Kanon, Koihime Musou, Little Busters, Love Plus, Lyrical Nanoha, Melty Blood, Miracle*Train, MOON, ONE, Sister Princess, Tokimeki Memorial, Triangle Heart, Tsukihime, Utawareru Mono and White Album.

     

    The photo was taken by Jasohill, who made it available via Creative Commons.

     

  • Dancing fox at Kawagoe Matsuri

    The Kawagoe Festival goes on into the evening and features towering floats that are said to do battle with each other through music. The full name of the festival is Kawagoe Hikawa Matsuri due to its connection with Hikawa Shrine, but even Japanese people usually refer to it as the Kawagoe Matsuri.

    The floats used are distinct from the mikoshi (shrines carried by local people during festivals) used elsewhere as these are about the same height as the Edo-era houses that line the streets. However, the real difference is that each contains a small stage with musicians and often a masked dancer. The top half of the float revolves so that the performers can direct their music towards people on either side of the street and at other floats.

    When two floats attempt to pass each other (a difficult feat at any time), the stages turn to face each other and what might be termed a ‘battle of the bands’ ensues. In Japanese, the act of rotating the stage to perform is referred to as hikkawase (曳っかわせ) which is a local word used only in reference to this festival. They perform facing each other until one float gives up and moves on, widely interpreted to indicate which group has failed and which group has won. Apparently, this isn’t really the case and it’s simply a matter of deciding when to move along, but I say that if they develop a fighting toy based on this concept and make an anime out of it, they’ll have a hit on their hands.

    To get a better idea of how the rotating stage works, check out the two videos below.

     

     

     

    The musicians play the shinobue (bamboo flute), the shimedaiko (type of drum), the oodaiko (bigger type of drum) and the surigane (metal dish and hammer). There are many types of dancers, including characters based on Hyottoko and Okame; the former has his lips permanently pursed because he breathes fires through a bamboo pipe, while the latter is female and has round cheeks. However, the ones that really caught my eye were the foxes. Foxes are awesome and if you were expecting some deep insights into Japanese traditions, you’re best off reading a different blog.

     


    Click on any of the photos to go to the Flickr page

     

    More photographs of the floats at night below.

     



    Click on any of the photos to go to the Flickr page

     

    This is a great festival to attend. The atmosphere is fantastic and the location is spread out, so there are plenty of food stalls (Tornado potato, agemonja and doner kebabs are growing in popularity, plus old favourites). Kawagoe, nicknamed ‘Little Edo’, is also a good town to visit in its own right. It’s on the Saikyo line, about 50 minutes from Shinjuku.

     


    Click on any of the photos to go to the Flickr page

    Sunrise at Mt Fuji

    If you were offered an experience that left you in pain with patches of missing time while depriving you of sleep and forcing you to survive on Cup Noodle, would you accept? Now imagine that you’ve been told you’d be missing out on a must-do life experience if you refused. If you’re still on board, welcome to the hell that is climbing Japan’s Mt Fuji.

    That’s not to say that climbing Mt Fuji isn’t a once-in-a-lifetime experience. Of course it is. You’d never submit to it twice. Japanese people even have a saying for this: “You’re a fool if you never climb it, but a fool if you climb it twice” (登らぬ馬鹿二度登る馬鹿 / Noboranu baka nido noboru baka).

    My partner and I left by bus on Saturday afternoon from Shinjuku, one of the key train stations in Tokyo. Just finding the combined bus terminal and ticket office had been a trial. No one could give me decent instructions and one even suggested I look inside a convenience store. Finally, someone told me it was right next to Yodobashi Camera. You mean the Yodobashi Camera with big red neon lights that reach to its roof? That Yodobashi Camera? Once I started walking towards the store, I could see the sign for the bus terminal sticking out, only visible if you were already walking towards it. There, I was told that ticket reservations were on the second floor. Which didn’t exist. I had to go outside and in through another door which looked like a personnel entrance except for the sign. Even then, I felt like I was trespassing.

    The bus from Shinjuku is the cheapest way to get to the fifth station (五合目 / go-goume) from central Tokyo. If you’re going at the weekend, you’ll need to book in advance, but you might be able to do without that if you’re going on a weekday. When I went to book on a Wednesday evening near the end of August, there were plenty of same-day tickets available. Having said that, we took the train back from Kawaguchiko Station and found it more relaxing and not really that much more expensive. We might have been numb to the prospect of spending more money by then though.

    Morning at the torii arch on Mt Fuji

    Once we arrived at the fifth station, we paid to use the toilets (50 yen) after the two and a half hour bus ride, and got to the restaurant two minutes after they stopped serving food. It wasn’t even eight o’clock yet. We bought tons of food at the combined hiking equipment/gift shop below it to compensate, including mountain stew-flavoured potato chips. It was a strange world, where people seemed to have put on a backpack for the very first time that morning and were no longer aware of how much space they were taking up. Everyone seemed a little dazed.

    I never thought Mt Fuji would be a difficult climb. I love Mt Takao in west Tokyo, and have climbed that a number of times. It’s a fun, easy trip that takes in several temples and a waterfall (depending on your route). The authorities have put in street lights and a paved road, while vending machines and noodle shops greet you at the top. The policy in Japan with mountains seems to be that they will do everything to make them accessible and ensure you don’t so much as break a sweat.

    Not so Fuji.

    It started out easy. Walking through the forest in the dark with lamps mounted to our heads was fun. After a while, we could truly see the stars for the first time in years.

    The sixth station was out of commission during our trip, and so the seventh station was the first one we saw. We’d come some distance by then and, looking up, we could see the golden lights of the seventh station between the lights of the city below and the silver of the constellations overhead. I could almost hear Hugo Weaving intoning, “Welcome to Rivendell.” It was there that the climb got tougher.

    While I never felt in danger of falling, there is a lot of scrambling to be done. Paths are loosely defined with ropes and place trust in your sense of self-preservation. A visual check will confirm that most of the time there are only scree slopes tilting at impossible angles beyond.

    Mt Fuji Before Dawn

    At the seventh station, we had a welcome rest. Already I could see hikers with their faces buried in the mouthpieces of their canisters of oxygen. My heart hurt a bit, but it was nothing I couldn’t deal with. Here, we got the first of the brands (焼印 / yakiin) on our wooden hiking sticks and then kept walking. There were people everywhere and that led to bottlenecks with queues stretching up and down the mountain. At some point between the seventh and eighth stations, I gave in and got a Cup Noodle. No idea what flavour; the packaging was white and blue, if it helps. It was the best thing I’d tasted in years.

    Hours later, it was almost dawn. The altitude sickness had kicked in. My chest was tight and I felt as I were about to throw up. We stopped and my partner had some ramen while I put my head down on the wooden table. You could pay to rest on a bench for 1000 yen and we did so, although it turned out that the Japanese interpretation of the word ‘rest’ (the sign was in English) didn’t include the concept of ’sleep’. At around 4.45am, we woke up alongside a few Japanese people who were also “resting” there. Although I’d heard that dawn was around five, through the door I could see a sliver of rainbow sky at the horizon. I will never forget the view as I stepped out of that hut.

    Below us were thick morning-blue clouds that fell away to reveal glittering city lights. Misty mountains rose above them to our right. Above us, the stars were still visible, and ahead was the pre-dawn sky.

    Shivering, we climbed up a little further and waited on a rock. There was a bank of cloud on the horizon, which glowed silver and lit the clouds below in grey-blue. As the first rays shone from around the cloud, the sound of gasps and whoops and cameras going off travelled down from the summit and continued to the people below us. In that shared experience, something in my heart stirred. Or perhaps it was the altitude sickness again.

    We took more pictures and a guy next to us was pretending he was from Dragonball and getting his friend to take photos of him “shooting ki energy” with the sun. I was tired and I laughed.

    Mt Fuji's crater

    Now we had to get to the summit and so we joined the queue. Yes, queue. It snaked underneath the two torii arches, both of which had hundreds of coins lodged into the woodwork. This section took longer than a couple of sentences can convey, just like most of this account. One step at a time, we made it to the finish the finish line at exactly the same time. A recommended strategy for competitive folks.

    The summit, like many famous tourist attractions, has a row of gift shops and restaurants which are extremely crowded, while more interesting areas are almost empty. Once we had our photos taken at the height marker, we purchased victory oxygen, which clearly states on the label that it was bought at a height of 3776 metres, then had ramen and coffee. An attempt to use the bathroom facilities was made and then aborted in horror. As an aside, we saw some furries in felt costumes at the ramen shop. I like to think that they changed clothing at the highest point possible, and didn’t do the whole climb like that. Even at around nine in the morning, the sun was intense.

    Afterwards, we set off to those interesting areas, which meant a trip around the crater. As my partner said, “We’re going to doing everything we possibly can while up here. I don’t want us to have any reason to come back.” As you walk away from the tourist area, there is a real danger of falling into the volcanic crater, which sounds pretty cool now I think about it. A flimsy rope at about knee-height separates yet another scree slope from a sheer drop into the volcano.

    Weather Station at the top of Mt Fuji

    If you walk up the Kawaguchiko route, the highest peak on Mt Fuji should be opposite you, looking reminiscent of a Citadel of Evil. Atop it is a weather station, abandoned roughly ten years ago, looking nicely rusted. There’s even a metal platform that you can walk out onto that overhangs the mountain face. It doesn’t seem safe by any means, but you’ll feel better having done it. The crater also takes in a Shinto shrine, which has people slumped all over it, looking like a scene out of the Japanese horror movie.

    Descending Fuji was dull. It reminded me of a scene from Final Fantasy VII where you have to go up many flights of stairs in Shinra HQ and have no choice but to keep pushing forwards. The only thing that breaks the monotony is the danger of slipping. Falling rocks are inevitable, particularly on the way down, but them being a size large enough to kill you isn’t. Maybe you’ll be lucky.

    The misty weather when returning to the fifth station made it seem like early morning. As we walked through the gate that had marked the start of our route, our faces caked in volcanic sand that clung to the sunscreen, we cheered. A guy behind us saw us and started cheering too, shouting ‘congratulations!’

    In the end, it has been around three weeks since I climbed it and my feelings on it have changed a lot. When I found myself on the bus going to Kawaguchiko Station and back to Tokyo, I felt a fervent desire to be carried straight into a shower and then to my computer so I could warn fellow human beings away from this mistake of an expedition. Then I remember the shared experience of the sunrise and the feeling of accomplishment at the end. The kindness of other hikers, one of whom, on overhearing that I had a headache from altitude sickness, offered her oxygen to me. It turned out she was actually someone I knew online, but she hadn’t known that until I turned around. Almost everyone we met on our journey up and down Fuji were friendly, from the Americans on vacation from Okinawa to the icecream seller at the fifth station. I’m now thinking about next year and I think yes, we will be returning. Call me an idiot, if you like.

     

    Tips:

  • Buy a plain wooden hiking stick at the fifth station and choose one with a red ribbon. The dye runs when wet (and you will get wet), so red is the coolest colour for when that happens.
  • If you think you’ll need oxygen, buy it at the lower stations where it’s cheapest. Note that there are three other ‘fifth stations’ and I’m talking about the one on the Kawaguchiko Route.
  • If you’re planning to climb while on holiday/vacation in Japan, you will need to come in summer, between July and August.
  • You will need a headlamp, sunscreen, money, a rucksack, warm clothes in layers, a raincoat, climbing gloves, boots, and the aforementioned hiking stick.
  • After your descent, buy omiyage (food souvenirs) in the gift shop. You’ll never have to figure out how to casually drop the fact you’ve just climbed Mt Fuji into conversations at work/university.

     

    To see all of my photos from Fuji, check out my Fuji Flickr Set. As always, clicking on any of the photographs in this article will lead you to their individual Flickr page. To read about another cool place worth visiting in Japan check out my post on the cemetery in Nagasaki, or simply click on the ‘travel’ tag to your right to discover other suggestions.

  • Nagasaki Cemetery

    Teramachi is a road with offshoots leading to different temples. A number of paths, however, will take you away from the temples and into the heart of Nagasaki Cemetary.

    These paths are called Hefuri-zaka (ヘフリ坂・幣振坂). The main path lies between Daionji Temple (大音寺) and Koutaiji Temple (皓台寺). However, there are other paths which loosely connect to the main one. Another one lies between Enmeiji Temple (延命寺) and Choushouji Temple (長照寺), while another is between Fukusaiji Temple (福済寺) and Shoufukuji Temple (聖福寺.

    Hefuri means “to wave a ceremonial Shintou staff“, while zaka refers to a hill (usually steep, in my experience). The name dates from the Kan’ei Era 14 (1637), when a grand stone torii arch was being constructed elsewhere. Stone was taken down the hill and a priest waved a wand to keep the labourers inspired and command them.

    It often seems as if this path is being organically-generated as it winds around the graves. There are tiny overgrown paths that may or may not lead somewhere further up the hill.

    Clicking on any of these photos will lead you to a bigger photo, hosted by Flickr. If you liked these photos, you might also want to see my photos of the ruins of Hashima Island, also in Nagasaki.

     
     
     

    Hashima, Nagasaki

    Hashima is an island off Kyuushuu and is also known as Gunkanjima or “Battleship Island”. It was in use from 1887 to 1974 as a coal mining facility. When the coal mining industry collapsed, it was abandoned just as it was and fell into ruins. Now it’s famous for looking a bit like a battleship and its post-apocalyptic landscape.

    From April 2009, the general public has had the opportunity to land in certain restricted areas of the island. You are advised to book in advance because these cruises fill up quickly around popular holiday times. If you want to walk on the island, you’ll want the Jouriku Course (上陸コース), which costs 4000 yen for one adult. Bear in mind that all English signs at the harbour (few though they be) make no mention of the names Gunkanjima or Hashima, but refer only to the “Battleship Island Cruise”.

    Book through the official tour site here.

    I was unable to land on the island, but I was still able to go around it on the regular cruise and I loved it. The photographs show the view from the boat as it started off at Dejima Wharf, went through Nagasaki Harbour and past Soroban Docks before arriving at Hashima. Worth mentioning is that you travel on a fairly small boat out into the open sea, so don’t expect a smooth trip.

    Finally, remember your sunscreen. I wish I had.


    Bon OdoriThe Obon Festival in Japan is what Halloween would look like if it still had its soul. It’s a festival to welcome departed loved ones into your home and then send them back to where they came from after you’ve spent precious days with them. The main group event is “Bon Odori”, which is a dance that takes place after nightfall, lit by lanterns.

    There are two fixed times to celebrate in Japan, plus another date that moves around based on the lunar calendar. The first is in late July, which is observed by those in Tokyo and a few other places. The second is approaching in August. This is when people from more rural areas celebrate, along with those who still have their hearts there. Around this time, you can see shouryou uma (“soul horse”) made of vegetables and chopsticks by the roadside and outside houses. This is a cucumber or carrot horse with chopsticks for legs and is a prayer at the start of Obon that the departed’s soul will arrive just a little bit quicker. Both horses and cucumbers have a reputation for being pretty fast. At the end of Obon, a cow made of aubergine/eggplant asks for souls to be sent home at their leisure.

    I asked my Japanese teacher if these were kindred spirits to teruterubouzu, which are made by children hoping for sunny days during the rainy season, and she gave me a resounding ‘no’. Teruterubouzu are for children, whereas a shouryou uma is a sincere prayer. She also told me about a private moment of the festival, when families take lanterns to and from the temple. The light guides the spirits to their home. In times past, this light was kept on throughout Obon, but this practice has since stopped.

    I can’t take part in that, but Bon Odori holds a special place in my heart. People from the local community dance around a yagura, which is part watchtower, part stage, and usually has a taiko drummer at the top. Pre-recorded folk songs play and people use simple, repetitive movements to move around the tower. As long as you’re respectful, you can usually join in too. The secret is to copy the oldest person in the circle.

    Below are photographs of the yagura and lanterns. If you would like to know more about Obon, please check out Choutin.com (simple Japanese) or the ever reliable Wikipedia (English).

    Flowers in TachikawaI’ve wanted to visit Kokuei Shouwa Kinen Park in Tachikawa ever since I saw a photograph of my friend sitting on a hill with his partner, surrounded by wildflowers. I figured it had to be somewhere outside Kantou, maybe Kyuushuu. It was certainly comparable to the posters I’d seen in the train station. “No,” he told me with a touch of pride. “It’s west Tokyo.”

    People often claim Tokyo is a neon jungle with few outward signs of nature. This isn’t strictly true, as you can buy your way into a green oasis of goodness for around 400 yen. By luck, I ended up going on one of the free park entrance days, which are scattered throughout the year.

    Most of these places have carefully organised and structured nature so there is something iconic in bloom at all times. A park keeper who doesn’t have cherry blossoms around April may as well turn in his badge and become a salaryman.

    Showa Kinen Park is no exception and it wasn’t just flowers. As I was crouching to photograph something near the park entrance, I heard a rustling behind me and a pair of lizards scuttled out of nowhere. I also saw baby ducks in the lake. Anyone who doesn’t love ducks is probably a serial killer. They’re just that awesome.

    My trip around Showa Kinen Park led me into a herb garden and across a pond filled with water lilies and lotus flowers. I ended up in a huge green field, surrounded by deciduous trees and blue sky so vast you could physically feel it above you. Dragonflies danced in the air. It was late afternoon and the park speakers were playing Japan’s ‘get out of here already’ theme, a signal to leave. I hadn’t even seen all of the park yet.

    To see all the photographs I shot that day: Tachikawa Flickr set.

    Upcoming free entrance days in 2009: 4th October, 18th October.

    Price: But if you insist in going at other times, adults usually pay 400 yen to enter. Things like bicycle rental or pool use are extra.

    Tachikawa is on the Chuo Line, about 25 minutes from Shinjuku. You might be better off going one stop along to Nishi Tachikawa if you can’t read Japanese signs or have the sense of direction of a one-joke anime character.